Babymetal’s Dark Evolution: The Other One Takes Kawaii Metal to New Depths
Babymetal emerged from Japan in 2010, introducing a genre-defying fusion of J-pop and heavy metal. The band was originally formed by producer Kobametal, who brought together Su-metal (Suzuka Nakamoto) as the lead vocalist, with Moametal (Moa Kikuchi) and, originally, Yuimetal now replaced by Momometal Momoko as “scream and dance” performers. Babymetal has since gained international recognition with their unique blend of metal intensity and pop charm, pushing the boundaries of what heavy music can be.
Musically, Babymetal is a mix of everything that makes metal exciting, layered with catchy, pop-infused hooks. Their sound draws from thrash, power metal, metalcore, and even electronic elements, creating a complex and unexpected blend that shouldn't work on paper—but it absolutely does. Tracks like “Gimme Chocolate!!” and “Karate” are packed with heavy riffs, double-kick drum rhythms, and intricate guitar solos, yet each one has that unforgettable Babymetal twist. They coined the term “kawaii metal” (cute metal) to describe their style, which might sound unconventional, but trust me, it packs a punch. There’s something raw and relentless in Babymetal's music, even with its upbeat tones—an electrifying contrast that speaks to metalheads while reaching beyond the usual metal crowd.
Babymetal’s latest album, The Other One, pushes their sound to new depths, showcasing a maturity and complexity beyond their previous releases. These new tracks reflect a heavier, more experimental edge, blending aggressive riffs and intricate rhythms with a darker, almost futuristic vibe that feels fresh yet unmistakably Babymetal. This album marks a turning point, exploring themes of rebirth and transformation while still holding on to their trademark energy and creativity. The Other One doesn’t just build on their past—it reshapes their sound entirely, proving Babymetal's ability to evolve within the heavy music scene while continuing to surprise and captivate fans.
Since discovering that Babymetal is heading to Amsterdam, I've been diving deep into their catalog again, and it’s reignited my respect for them as performers. I’ve been listening to them since 2016, but the energy of their live shows just hits differently. The two versions of their song “Headbanger,” where MoaMetal and the newer member, Momoko (Momometal), each bring their own unique flair to the song’s intense ending, is just incredible. Watching the crowd bow toward the band in that unified, almost ritualistic wave is a sight to behold, adding an unforgettable element to the show. It’s clear that Babymetal has cultivated a powerful connection with their audience, bringing an energy that feels both theatrical and raw—a rare vibe in the metal scene. I can’t wait to experience it live and see how they bring that same controlled chaos to the stage in Amsterdam
